Cinderella's Big Score: Women of the Punk and Indie Underground

Moshe · 01.14.2007, 01:55 AM

Did anyone read this? It does talk about KIm and it has a SY title...

http://www.amazon.com/Cinderellas-Bi.../dp/1580051162

From Patti Smith and the Runaways to newer stars, veteran rock scribe Raha introduces "the women . . . instrumental in shaping punk and indie underground music," members of "a community which proudly rejects the societal and cultural norms." Contending that "punk rock as a movement has changed the face of music forever," Raha dissects women's involvement in it, including the often-unwanted roles sex and appearance play in the perception of women in rock. The Runaways resembled the Monkees and the Sex Pistols, what with manager Kim Fowley calling the shots and band members chafing under them; Raha compares their career and those of the likes of L7, the Butchies, and Tribe 8, whose forthright lyrics and sonic assaults are more feminist than feminine. She shows that the Cramps' Poison Ivy is a mover and shaker in her own right, like such others as Exene Cervenka, Debbie Harry, and Wendy O. Williams (of the shaving-cream-shirt wardrobe malfunction). Raha lets them all tell their stories in a treasure trove for pop-music and punk-culture cognoscenti. Mike Tribby
Copyright © American Library Association. All rights reserved

Book Description
Cinderella's Big Score celebrates the contributions of punk's oft-overlooked female artists, explores the latent-and not so latent-sexism of indie rock (so often thought of as hallowed ground of progressive movements), and tells the story of how these women created spaces for themselves in a sometimes limited or exclusionary environment. The indie music world is littered with women who have not only withstood the racket of punk's intolerance, but have twisted our societal notions of femininity in knots. Raha focuses on the United States and England in the 70s and 80s, and illuminates how the seminal women of this time shaped the female rockers of the 90s and today. Groups profiled range from The Runaways, The Slits, and The Plasmatics to L7, Sleater-Kinney, and Le Tigre. The book includes women not often featured in "women in rock" titles, such as Exene Cervenka of X, Eve Libertine and Joy de Vivre of Crass, and Poison Ivy Rorschach of the Cramps. Rare interviews and more than forty black-and-white photographs are included in this tribute to the transgressive women of the underground music scene.

val-holla-ing · 01.14.2007, 02:06 AM

a friend of mine has it and i've been meaning to nab it from her, but i've got about 6 other books to read before i get to it.

k-krack · 01.14.2007, 02:15 AM

Another instance of "yawn." Sexism is old, dead news in rock.

01.14.2007, 01:55 AM	#1
Moshe Super Moderator Join Date: Mar 2006 Posts: 5,894	Did anyone read this? It does talk about KIm and it has a SY title... http://www.amazon.com/Cinderellas-Bi.../dp/1580051162 From Patti Smith and the Runaways to newer stars, veteran rock scribe Raha introduces "the women . . . instrumental in shaping punk and indie underground music," members of "a community which proudly rejects the societal and cultural norms." Contending that "punk rock as a movement has changed the face of music forever," Raha dissects women's involvement in it, including the often-unwanted roles sex and appearance play in the perception of women in rock. The Runaways resembled the Monkees and the Sex Pistols, what with manager Kim Fowley calling the shots and band members chafing under them; Raha compares their career and those of the likes of L7, the Butchies, and Tribe 8, whose forthright lyrics and sonic assaults are more feminist than feminine. She shows that the Cramps' Poison Ivy is a mover and shaker in her own right, like such others as Exene Cervenka, Debbie Harry, and Wendy O. Williams (of the shaving-cream-shirt wardrobe malfunction). Raha lets them all tell their stories in a treasure trove for pop-music and punk-culture cognoscenti. Mike Tribby Copyright © American Library Association. All rights reserved Book Description Cinderella's Big Score celebrates the contributions of punk's oft-overlooked female artists, explores the latent-and not so latent-sexism of indie rock (so often thought of as hallowed ground of progressive movements), and tells the story of how these women created spaces for themselves in a sometimes limited or exclusionary environment. The indie music world is littered with women who have not only withstood the racket of punk's intolerance, but have twisted our societal notions of femininity in knots. Raha focuses on the United States and England in the 70s and 80s, and illuminates how the seminal women of this time shaped the female rockers of the 90s and today. Groups profiled range from The Runaways, The Slits, and The Plasmatics to L7, Sleater-Kinney, and Le Tigre. The book includes women not often featured in "women in rock" titles, such as Exene Cervenka of X, Eve Libertine and Joy de Vivre of Crass, and Poison Ivy Rorschach of the Cramps. Rare interviews and more than forty black-and-white photographs are included in this tribute to the transgressive women of the underground music scene.
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01.14.2007, 02:06 AM	#2
val-holla-ing invito al cielo Join Date: Apr 2006 Location: baton rouge. the 225, big raggedy. Posts: 2,731	a friend of mine has it and i've been meaning to nab it from her, but i've got about 6 other books to read before i get to it. __________________ please do not misconstrue the previous statement as an invitation for same sex relations or as negative towards anyone of another sexuality. -cam'ron (formerly "no homo")
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01.14.2007, 02:15 AM	#3
k-krack invito al cielo Join Date: May 2006 Location: On Posts: 7,380	Another instance of "yawn." Sexism is old, dead news in rock. __________________ sandwich klub 4 men. Danny is a C.H.U.D.
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