09.06.2007, 07:33 AM | #1 |
Super Moderator
Join Date: Mar 2006
Posts: 5,894
|
Free Noise for Friends
I still remember the first time I ever heard Sonic Youth. The year was 1988 —a few years before punk officially “broke.” As improbable as this seems, it was all thanks to a late-night channel trawl past PBS. I happened to stop short on this weird little documentary called Put More Blood Into the Music. This oddball, scrappy little film marked my first exposure to the likes of SY, Lydia Lunch, DNA, John Zorn, and Glenn Branca. For years, I thought I’d imagined the film —PBS and No Wave don’t exactly go hand-in-hand. I didn’t quite know what I’d just seen, but I knew without a doubt that my tiny little mind had been blown. (And my music taste had been irrevocably pushed in adventurous new directions.) Since then, my interest in Sonic Youth has waxed and waned. Mostly waned. I respect and admire them far more than I actually LISTEN to them. (And, while I confess to being tempted, I didn’t make it to any of the recent Daydream Nation performances.) It was fun, then, to discover this super-early set from 1981’s Noisefest at White Columns. These were early early days, before Lee joined (and, obviously, well before Steve Shelley became THE drummer). Vocal duties here are shared by Kim (bass) and friend Ann DeMarinis (who also plays keys); Thurston’s on guitar and Richard Edson on drums. While Sonic Youth Mach 2007 can be way too serious (that alt-rock mantle weighs heavily, I guess), these tracks have a playful, off-the-cuff gleefulness that I just love. Obviously there’s not much here one would recognize as “Sonic Youth” per se —but it’s interesting to see their point of departure. *** Sometimes I think of SY guitarist/singer Thurston Moore as the world’s oldest teenager. While he can seem, on the surface, puppyish and a bit goofy, he’s got laser-focus when it comes to music he loves and supports. He’s used his very high profile to lend support to so many musicians —not only by bringing them on tour with him but by mentioning them in print, wearing their t-shirts, or putting out their records. He’ll be bringing his seemingly boundless enthusiasm to a slew of solo dates in the fall in support of his upcoming LP, Trees Outside The Academy (his first since the haphazard but worthwhile Psychic Hearts, more than a decade ago). September/early October finds him crossing the country with band mates Steve Shelley, Samara Lubelski (ex- of Tower Recordings) on violin (and vocals?); Christina Carter (Charalambides) will be opening. (I guess this summer’s punishing rondelay of Daydream Nation anniversary shows wasn’t exhausting enough?) Thurston’s also working on a image-heavy No Wave book of his own with Forced Exposure’s Byron Coley, to be published sometime next year by Abrams. As a torch-bearer, historian, and genuine fan all rolled into one, Thurston can certainly do the subject justice. (And I’d bet he’s got an A-Z record collection to go along with.) His genuine enthusiasm and encyclopedic knowledge —combined with the fact that his opinion commands a great deal of respect— means that the book could potentially influence readers who may not have heard of these bands before. Just like his appearance in Put More Blood Into the Music way back when brought about a paradigm shift in my own listening patterns. (Speaking of Thurston commentaries on No Wave: if any of you had the misfortune to see that pile of crapola Kill Yr. Idols, a mystifyingly excised scene in which Thurston breathlessly recounts his first ever Suicide show is worth the price of admission alone. But barely, since the rest of the film stinks so resolutely.) As a corollary: Two independent overviews of the New York noise scene are due out this fall: the companion volume to Soul Jazz’s New York Noise series, and Marc Masters’ eponymous history for Black Dog Publishing, the same folks who brought you the Warp and Rough Trade histories. THURSTON MOORE :: FALL 2007 TOUR DATES Sep 24: Hoboken, NJ @ Maxwell’s Sep 26: Brooklyn, NY @ Music Hall of Williamsburg Sep 27: Boston, MA @ Remis Auditorium at Museum of Fine Arts (NO Presale, Free for College Students Only with Valid Photo ID) Sep 28: Princeton, NJ @ Terrace Club/Princeton University (NO Presale, Free for Princeton Students only) Sep 29: Washington, DC @ Rock and Roll Hotel Sep 30: Philadelphia, PA @ Johnny Brenda’s Oct 24: Seattle, WA @ Neumo’s Oct 25: Portland, OR @ Doug Fir Lounge Oct 26: Arcata, CA @ Humboldt State University Oct 29: San Francisco, CA @ Great American Music Hall (Presale through www.gamhtickets.com) Oct 30: Los Angeles, CA @ Echoplex Sonic Youth, “Track 1” (Live at White Columns | Noise Fest, 6.18.81) Sonic Youth, “Track 2” (Live at White Columns | Noise Fest, 6.18.81) Sonic Youth, “Track 3” (Live at White Columns | Noise Fest, 6.18.81) Sonic Youth, “Track 4” (Live at White Columns | Noise Fest, 6.18.81) Sonic Youth, “Track 5” (Live at White Columns | Noise Fest, 6.18.81) |
|QUOTE AND REPLY| |
09.06.2007, 08:06 AM | #2 |
invito al cielo
Join Date: Mar 2006
Location: banana boat
Posts: 15,570
|
Thanks moshe, I already have those but your contributions are always great.
Uh, on this subject, are there better versions ( >128kbps) of this recording? I've seen it surface on many occasions, but looks like the best quality around is 128kbps mp3s like those.
__________________
11:11 11-11-11 I Ascended. |
|QUOTE AND REPLY| |
09.06.2007, 09:35 AM | #3 |
empty page
Join Date: Sep 2007
Location: Providence, RI
Posts: 14
|
By the way, the original post is
here. There's more No Wave content over there... A lengthy interview with Ut, one with RL Crutchfield (DNA, Dark Day), as well as an overview of No Wave (High Voltage Humans) I wish I had better versions of those songs to post... I have a higher-resolution version of the Ut song but that's all. |
|QUOTE AND REPLY| |