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View Poll Results: Who's the sexy babe? | |||
Lydia Lunch | 20 | 57.14% | |
Diamanda Galas | 5 | 14.29% | |
Jarboe | 10 | 28.57% | |
Voters: 35. You may not vote on this poll |
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08.18.2006, 04:27 AM | #1 |
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Which of these alt-music goddesses makes you feel the horniest?
Lydia Diamanda Jarboe |
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08.18.2006, 04:40 AM | #2 |
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08.18.2006, 04:42 AM | #3 |
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I've voted Jarboe on the basis of those snake photos from the late 80's.
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08.18.2006, 04:42 AM | #4 |
expwy. to yr skull
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haha true , that first picture was noooo fair shot for lydia .
the other two....i dont recognize them . .. :S |
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08.18.2006, 04:45 AM | #5 |
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08.18.2006, 04:46 AM | #6 |
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If i was ever to convert to heterosexuality,that would be because Diamanda declared her love for me.
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08.18.2006, 04:47 AM | #7 |
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Hello, alteredcourse. Welcome aboard. You seem a decent person - please go to the "Introduce Yourself" thread and enlighten us.
A brief intro to Jarboe for you: Sang with Swans for most of their career, solo artist since they split, has recently worked with Neurosis and Larsen. Beautiful voice. Well worth investigating. A recommended release: Swans - Children of God / World of Skin, or, if you're feeling brave, Jarboe - A Mystery of Faith. If you're lucky Pookie will tell you all about Lydia and Porkmarras will tell you about Diamanda. |
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08.18.2006, 04:48 AM | #8 |
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Lydia: gorgeous (TINY!) angry lady.
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08.18.2006, 04:49 AM | #9 |
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How many times must I say it!!!?
Lydia is the DIVA!!! The other two cows would be eaten for Lunch. They can't beat Lydia's persona.
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08.18.2006, 04:51 AM | #10 |
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Lydia Lunch is no match for Diamanda's personality by any stretch of the imagination.As much as i love Lydia,there's no contest there.
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08.18.2006, 04:53 AM | #11 |
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And Jarboe is way too much of a minor figure to even enter the competition.
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08.18.2006, 04:54 AM | #12 |
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08.18.2006, 04:57 AM | #13 |
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Noone is more orally fixated than Lydia.
Explain?
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08.18.2006, 05:03 AM | #14 |
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Lydia Lunch is nowhere near a sophisticated,cultured and strong lady as Diamanda Galas.Browse through the two's work and that's the only explanation you need,matey.
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08.18.2006, 05:04 AM | #15 | |
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Quote:
Would you be willing to say that to her face? |
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08.18.2006, 05:06 AM | #16 |
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Not if she gives that long a face.Also,Diamanda is the real alternative to Madonna for us underground gays.
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08.18.2006, 05:14 AM | #17 | |
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Quote:
"Honey, gods not a woman, he's a bitch".
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08.18.2006, 05:18 AM | #18 |
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Jarboe is a solo artist. Formerly she was a vocalist and keyboard player for Swans.
Jarboe's recorded and performed projects produce only her unique energy. She draws from a variety of charged sources, from her early exposure to snake-handling revivals in the Mississippi delta, parents who were in the FBI, her participation in a lounge act, experimental performance in gallery & live radio settings,her 14-year critically acclaimed recordings and collaboration with Swans doing worldwide concerts (clubs, theatres, festivals, live radio, TV). Her delivery can be at turns innocent, knowing, seductive, & vitriolic - contained in melodic as well as experimental compositions. In her extensive career as a performer and recording artist, Jarboe has proven herself to be one the world’s most explorative and skillful singers. A primary objective for Jarboe is to close in on the gap in the audience/performer relationship via complete submission and vicarious experience through her performance. Through visceral vocals, her repertoire includes a variety of voices from the shy schoolgirl to seductress to demon. Jarboe's private agenda over the course of her life has been to fine tune endurance - physical, emotional, and spiritual. Through efforts in such disciplines as weight-lifting, kick boxing, mountainclimbing, running, role-playing, studies in meditation and Buddhism, and her intense work with Swans, she has journeyed her body towards exhaustion specifically with the intent of rebuilding / reinventing identity and exploring the structure of persona. Jarboe's musical explorations have led to select comparisons to other female musicians with regard for their success in penetrating the otherwise male-dominated "rock" subculture. Her work in and outside of the legendary Swans has received international critical attention. Jarboe is featured in Andrea Juno's groundbreaking book: Angry Women In Rock, and Adele Olivia Gladwell's women's studies/cultural theory: Catamania. The eclectic roster of Jarboe's musical collaborators includes: Michael Gira, Bill Laswell, Jim Thirlwell, Lustmord, PanSonic, Mark Spybey, Steven Severin, Chris Connelly, Alan Sparhawk, Neurosis (band), Edward Ka-Spel, William Faith, David J, David Torn, Paz Lenchantin, Bill Rieflin, Iva Davies, Blixa Bargeld, Kris Force, Nic Le Ban, Julia Kent, Brian Castillo, and Lary Seven. She has worked with visual artists in film / photography including Richard Kern, / Cedric Victor-DeSouza, Beth B, Laura Levine, and Wim Van De Hulst. Considered a true independent of the 21st century and "internet pioneer" for music, Jarboe has been panelist on "Artists and the Internet" at the CMJ convention in NYC. Jarboe has released 12 solo albums in addition to working on 20+ Swans albums and 50+ collaborative projects with visual & sound artists all over the world. She has recorded in various countries, including Europe and the Middle East. In addition to on-going live performances, Jarboe has recently recorded for the metal band, Cobalt, and the surreal band, Byla and soon starts recording for the U.K. band, Jesu and also Guapo, and F&TM's Monica Richards. Jarboe records her new band "The Sweet Meat Love And Holy Cult" summer 2006 with Nic Le Ban, Damon Young, Diana Obscura, Dorian Young, Paul Mercer, Chandler Rentz, Derek Bonner, Brian Castillo, Elizabeth Hummel and others. http://en.wikipedia.org/wiki/Jarboe |
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08.18.2006, 05:20 AM | #19 |
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"Specializing in music that can be as jarring as it is uncompromising, the
DIAMANDA GALÁS LIVEdark avant-garde chanteuse, who can smoothly croon and hellishly exhort in equal measure, eschews the notion that music should simply entertain, Galas rarely fails to make an indelible impression, whether exhuming old blues standards or wailing for the unjustly deceased." THE NEW YORKER AUGUST 14, 2006 AUGUST 10 - NEW YORK CITY (US) AUGUST 17 - NEW YORK CITY (US) AUGUST 24 - NEW YORK CITY (US) AUGUST 31 - NEW YORK CITY (US) SEPTEMBER 11 - PARIS (FR) OCTOBER 19 - SAN FRANCISCO (US) OCTOBER 21 - SAN FRANCISCO (US) OCTOBER 27 - LOS ANGELES (US) |
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08.18.2006, 05:21 AM | #20 |
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Just look at that face.
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