06.13.2013, 08:27 AM | #1 |
the end of the ugly
Join Date: Jul 2012
Location: melbourne
Posts: 947
|
|
|QUOTE AND REPLY| |
08.30.2013, 09:38 AM | #2 |
invito al cielo
Join Date: Mar 2006
Posts: 2,147,485,022
|
|
|QUOTE AND REPLY| |
09.07.2013, 10:02 PM | #3 |
invito al cielo
Join Date: Mar 2006
Location: Arrived in Smoke, Arrived in Gold
Posts: 2,569
|
whoa
|
|QUOTE AND REPLY| |
09.07.2013, 10:05 PM | #4 |
invito al cielo
Join Date: Mar 2006
Location: Arrived in Smoke, Arrived in Gold
Posts: 2,569
|
Keenan review is in, it's helluva favourable:
Much anticipated new album from the greatest rock band on the planet, New Zealand’s The Dead C: Armed Courage comes with a sleeve that looks like a renaissance painting of 20th century unrest, a feel that is bolstered by the non-temporal feel of the protesting sonics. Indeed, The Dead C have so completely formulated their own hermetic soundworld that the music now has a timeless quality, broadcast from some edge of the world singularity that is somehow always changing yet remaining, essentially, the same. Armed Courage continues the heroic tradition of one word Dead C titles with two massively extended pieces, “Armed” and “Courage”. “Armed” is phenomenal. Robbie Yeats sets up an almost-groove, not so much Can as Xhol Caravan, over which guitarists Bruce Russell and Michael Morley collide in peaking waves of six string euphorics. The feel is somewhere between the endless brokedown Crazy Horse-isms of a track like “Outside” from The White House and the kind of bloodyminded amplifier worshipping instrumentalism of albums like New Electric Music. It feels anthemic while still managing – somehow – to undermine every conventional signifier of ‘rock anthem’. Which is precisely what makes them the greatest rock band on the goddamn planet. The second piece, however, is even better. “Courage” updates the fractured up-close song style of Trapdoor Fucking Exit with some of Morley’s most implosive and teetering on the edge vocal narcoleptics, power crying over slowly teased out chords with the feel of true desolation blues, with Russell’s guitar moving from static hovering drones to suddenly collapsing downer chords while Yeats overthrows any notion of progression or forward momentum, opting for statements that have very little to do with time and function more as punctuation, grammar or even parallel visions of routes not taken or openings to pathways unexplored. How The Dead C continue to carve unforgettable ‘songs’ from the sparest of settings – just expiring chords, the sound of pure electricity and a drummer that plays lead – is still beyond me but this is an unforgettable work, a new apex of long-form thought from the group and the kind of album that burns itself into your brain but that still somehow remains out of reach, prompting compulsive repeat spinning in order to crack its ‘simple’ codes. A modern masterpiece. There remains no one like them. Highest possible recommendation. |
|QUOTE AND REPLY| |
09.15.2013, 03:52 AM | #5 | |
the end of the ugly
Join Date: Jul 2012
Location: melbourne
Posts: 947
|
Quote:
|
|
|QUOTE AND REPLY| |
09.20.2013, 08:11 AM | #6 | |
invito al cielo
Join Date: Mar 2006
Posts: 4,289
|
Quote:
Thanks for this. Love the new record, especially the A-side. Best thing they've put out in well over a decade. |
|
|QUOTE AND REPLY| |
06.25.2014, 04:18 PM | #7 |
stalker
Join Date: Jun 2012
Posts: 469
|
Bumping an old thread. But Grapefruit Records is releasing a 4xLP live series.
Four Dead C shows from the 2000s, can't pass this up. http://grapefruitrecordclub.com/ |
|QUOTE AND REPLY| |
06.26.2014, 01:41 AM | #8 |
invito al cielo
Join Date: Mar 2006
Location: Northern Europe
Posts: 12,268
|
A few of us from the board were at one of those Dead C shows, the London one in 2006
|
|QUOTE AND REPLY| |
12.08.2014, 12:30 AM | #9 |
stalker
Join Date: Jun 2012
Posts: 469
|
Michael Morley has some new music up on Bandcamp. The project's called The Fuck Chairs and he plays with Morgan Oliver. Sounds kind of like dance music...
http://tfcmusic3.bandcamp.com/music |
|QUOTE AND REPLY| |
12.08.2014, 07:54 PM | #10 | |
invito al cielo
Join Date: Mar 2006
Location: Northern Europe
Posts: 12,268
|
Quote:
I was expecting something like Tanaka Nixon Meeting, but this is a lot better, Thanks. |
|
|QUOTE AND REPLY| |
07.01.2015, 03:20 AM | #11 |
invito al cielo
Join Date: May 2008
Location: UK
Posts: 2,526
|
More Morley on Bandcamp: http://gatemm.bandcamp.com/
|
|QUOTE AND REPLY| |
09.27.2015, 06:40 PM | #12 |
stalker
Join Date: Jun 2012
Posts: 469
|
new dead c 7" coming out. in anticipation of a 2xlp on ba da bing.
http://www.iddb.se/ |
|QUOTE AND REPLY| |
09.27.2015, 10:16 PM | #13 |
the end of the ugly
Join Date: Jul 2012
Location: melbourne
Posts: 947
|
sweet, thanks. ordered.
__________________
|
|QUOTE AND REPLY| |
09.29.2015, 03:28 AM | #14 |
invito al cielo
Join Date: May 2008
Location: UK
Posts: 2,526
|
Well worth ordering Fordaming zine #7 at the same time as the 7", as it includes an article about corpus hermeticum. Also because it's a bloody good zine.
|
|QUOTE AND REPLY| |
09.30.2015, 12:12 AM | #15 |
stalker
Join Date: Jun 2012
Posts: 469
|
^^ordered.
Hope it's in English. |
|QUOTE AND REPLY| |
12.17.2015, 04:06 PM | #16 |
stalker
Join Date: Jun 2012
Posts: 469
|
|
|QUOTE AND REPLY| |
04.06.2016, 07:07 PM | #17 |
stalker
Join Date: Jun 2012
Posts: 469
|
michael morley has been putting a lot of music up on his bandcamp. this one is digital version of a lathe cut 10"...super sludgy.
http://gatemm.bandcamp.com/album/oceans-quarters |
|QUOTE AND REPLY| |
06.23.2016, 02:22 PM | #18 |
stalker
Join Date: Jun 2012
Posts: 469
|
|
|QUOTE AND REPLY| |
06.23.2016, 03:54 PM | #19 | |
Banned
Join Date: Apr 2006
Location: Arlen, Texas
Posts: 3,784
|
What gives with only four American tour dates......and one of them is Kentucky?
Quote:
|
|
|QUOTE AND REPLY| |
06.23.2016, 08:21 PM | #20 |
stalker
Join Date: Jun 2012
Posts: 469
|
Think their US label is based out of Kentucky.
|
|QUOTE AND REPLY| |