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Originally Posted by Glice
Make it the Furtwangler version and you've practically extradited/ excommunicated yourself.
What I love about this is how the protagonist manage to nearly die at the end of every act. And how I try and listen intently for the Tristan chord and get sucked into the libretto.
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not sure i understood the 1st part of your post. but i actually have yet to see the oper. i have only heard some of iot. when im done writing a few reports (one of them is on don giovanni/lucia di lamermoor and eugene onegin) then i might have time to watch the whole thing.
im was listening to toru takemitsu-solo guitar works
now im listening to haydn-symphony 31-hornsignal
i have to analyse the whole sympony and hand in a report on it in one week...