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I think there's an interesting parallel to be drawn here between McCartney and Holger Czukay. Both bass players, obviously, but also two musicians who came from opposing musical backgrounds that became inspired by what was happening at opposing ends of their spectrum. What's key for me though is that both had sufficient confidence in their own abilities not to want to completely abandon one style for the other, preferring instead to create a kind of hybrid between the two. I'd have to say that, in their respective pursuit of this, Czukay was without question the more successful of the two, but the parallel still holds some water I think.
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