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Old 08.06.2008, 08:32 PM   #17013
batreleaser
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Join Date: Nov 2007
Location: New York, NY
Posts: 5,155
batreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's assesbatreleaser kicks all y'all's asses
miss high heel-the family's hot daughter

ive been totally obsessed with this record lately. its such a brutal fucking headfuck of a fucking record, fuck. tom smith and marlon magas trade off on processed vocal duties, smith also brings some wierd death metal samples to the table, weasel pounds out the blast beats befind the kit, wierd as bass clarinet by weasel and bill pisarri, mr o rourke on bass guitar, synthesizer, and cornet, azita youseffi on noise synthesizer, and helpful vocal improvisations/sounds by pisarri, nandor nevai, and odi mkhan. ive heard bad reviews of this, but im sure thats because people cant tolerate it. it might bring to mind something like naked city in that it is some of avant garde's most talented musicns coming together and creating a brutal extreme mish mash of genres together. there is one huge difference though, naked city is controlled chaos, these dudes made pure unrestrained chaos! this is one of the best documentations of chaos as sound ever. lvoe this record. tom smith is a genius. weasel is my hero. o'rourke is a genius. nandor is a madman. azita is the lydia of the 90s. i love the to live and shave in la camp.
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