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Old 10.20.2006, 06:27 PM   #8
Glice
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Join Date: Mar 2006
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Glice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's assesGlice kicks all y'all's asses
I'm with Mr Drone on this one. I still buy a lot of albums because of reviews. Even with mp3s widespread proliferation, I can't always find songs by bands I'm interested in online. Not everyone has a myspace, and not everyone uploads their entire record collection for their slsk friends. In some sense I hate critics, but in others I pity them. I couldn't listen to hundreds of different records a week and keep tabs and pick out the diamonds from the dross. That's why I buy magazines, to pay whichever poor sod has already listened to lots of records. It's important that you find hacks who you know you can trust - a few of the Wire chaps are fantastic for this. For every dross album I've picked up from a Wire review, I've picked up at least five outstanding records. Furthermore, hacks are part of the promo of a record. At its worst, it's revolting and self-serving (NME). At its best (rare) it can let you know about a band you simply wouldn't find in the daily run of things, or think about investigating. I never heard SY on the radio, I picked up ATL because of a review (in the NME at that), and there are countless other bands for whom I could say the same.
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