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Old 08.01.2006, 08:58 PM   #13
drrrtyboots
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drrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's assesdrrrtyboots kicks all y'all's asses
Quote:
Originally Posted by Everyneurotic
GEORGIA NOT SUCH A GREAT DRUMMER?!! NOT SUCH A GREAT DRUMMER?!! you fucking sexist assholes!!!!

just listen to we're an american band and crank it up or track down a live version to listen to what a great, powerful drummer she is. and that's just one example!

when i saw them do the sounds of the sounds of science she was awesome, adding subtle sounds and crecending ones. bands like sunburned hand of the man should learn from georgia on how to add subdued drumming to quiet soundscapes without sounding like someone bored with nothing else to do and actually add something to the music

SHEESH!

sc: very interesting information.
Well the thing is, she doesn't always seem that into it to me. She kind of just plays and bops her head. I'm not saying that one has to bang the shit out of their kit and be drenched in sweat to be a good drummer, but at times when you're really feeling the heavy energy vibe it makes the music a much better experience live. Technically I do not doubt her skills.
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