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Digging the macro-resolution string phenomena (pletctrum attack, atonal, percussive qualities, wild harmonics) on Burn the Witch. Regarding the rest of the album, overall, there's too much piano.. like 14 excess piano. Tinker Tailor just sort of floats away, after a promising start. Decks Dark is a proper creeper, with swagger. Dope synth and guitar chord strums on "Identikit." Ful Stop will undoubtedly be the people's favorite. Feels like a big Beck record, in the vein of Sea Change or Mutations. Thom sounds tired. I'm thinking a pale 3.8 to a solid, albeit inclined 4.35 (gradient) out of five. But that could change, stay tuned.
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