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Originally Posted by Glice
I think this is often the case with Musique Concréte (Parmegiani) or Sound Art in general. Someone like Chris Watson is, for me, a genius not necessarily because of the content (which is, admittedly, amazing and he's very lucky to have access to it) but because he has this exquisite tactility and subtlety with a mic.
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I don't think you always have to like a record to appreciate the way it's been produced, for the same reasons why sometimes you might happen to like the songs but not the way they are produced.