Experimental cellist, Helen Money, opened the show. She was was pretty cool too. Her songs shifted from traditional sounding, classical cello to distortion and straight up noise. She played the instrument almost guitar-like throughout certain passages in her songs, and kept activating/deactivating these loops with her pedals. She covered 'Political Song for Michael Jackson to Sing' by the Minutemen too. Weird song to hear played on a cello, but it was pretty cool. She even nailed the solo.
