Originally Posted by StevOK

There's a problem with the last section during the whirring. It skips. :(

Originally Posted by Florya

Not exactly out of print, 'cos I don't think it was ever in print.

My audience recording of Cabaret Voltaire at The Final Academy in October 1982.
The quality's not great but considering it was hand etched onto a wax cylinder in real time, it doesn't sound too bad.

http://www.sendspace.com/file/s5b2n9

Hope you enjoy it

Originally Posted by stu666

here's one for sarramkrop and paulybee2656 and any other Huggy Bear fans, i finally got round to transfering this tape to my computer, i bought this direct from the groups fanclub when it first came out in a limited edition of 57 copies the tape is the same on both sides and about 38mins long, the sound is not to bad hope you enjoy this





http://www.sendspace.com/file/u6pt9o

EDIT: the tape starts with February 14th which cuts in and this track also finishes the show followed by some fucked up tape loops,sounds and shit with the group

Originally Posted by A Thousand Threads

bought a great sounding 180g reissue of of this some time ago, but i think it's out of print again






Bruce Haack, born on May 4, 1931, was one of the most musically and lyrically inventive children's songwriters of the '60s and '70s. Despite — or perhaps because of — his intended audience, his music was unusually expressive, combining homemade analog synths; classical, country, pop, and rock elements; and surreal, idealistic lyrics. Haack's innovations and desire to teach still sound fresh, making his music a favorite with fans of analog synths and esoteric recordings. Followers like Luke Vibert and Add N to X championed his unique musical vision, which embraced concepts like "powerlove" and turned household appliances into synthesizers and modulators.This musical vision appeared at age four, when Haack started picking out melodies on his family's piano; by age 12, he gave piano lessons and played in country & western bands as a teen. His upbringing in the isolated mining town of Rocky Mountain House in Alberta, Canada, gave Haack plenty of time to develop his musical gifts. Seeking formal training to hone his ability, Haack applied to the University of Alberta's music program. Though that school rejected him because of his poor notation skills, at Edmonton University he wrote and recorded music for campus theater productions, hosted a radio show, and played in a band. He received a degree in psychology from the university; this influence was felt later in songs that dealt with body language and the computer-like ways children absorb information.

http://lost-in-tyme.blogspot.com/200...c-lucifer.html

Originally Posted by sarramkrop

I think that I love you even more for posting his music on this thread. Another one to file under the seriously underrated and a personal favourite.

Originally Posted by Bytor Peltor

Merzdow Shek ‘Suicide In America & Bavarian Aquarels’
Staaltape Documentatie Serie cassette, 1987






01 Bavarian Aquarel
02 Lager
03 Caligula’s Triumph
04 Without Tears
05 Marburg - Industrie Und Polizei
06 Blast - Furnace
07 Hystorical Dioxin
08 Bhopal’Roll
09 Suicide In America
10 Drinking Bedside - Table
11 Arkandaschy Raus!
12 Polkacyde
Note: last track ‘Polkacyde’ seems to be a little sequel at end of tr#11.
. . . . . . . . . . .
‘Merzdow Shek’ was Mario Marzidovšek (born 1961 in Slovenia). He launched ‘Marzidovshek Minimal Laboratorium’ (MML) tape label in 1984 to release his own music and that of the local northeast Slovenia area bands. The region was active with various bands in industrial towns like Maribor, Celje, Žalec and Štajerska, where Marzidovšek lived. In Trbovlje was Laibach. In Maribor was various punk bands like Masaker or CZD and Abbildungen Varieté, an experimental music band active ca1982-1983. Three main independant labels were active in Slovenia during the mid1980s: FV from Ljubljana, Slovenija from Koper and MML from Štajerska. During its 4 years of existence (1984-1988), MML released 80 cassettes of slovenian and international bands.
A technician in a local chemical factory, Marzidovšek started doing music inspired by his industrial surroundings and the many records he had collected: krautrock, european avantgarde, american minimalism and the local punk scene. He published zines, articles, visual poetry in xeroxed editions. He composed music for theater performance in 1988 (see here). He was a painter as well. Since the 1990s, he seems to have disappeared from the music scene, even before the beginning of the war in 1992.
MML had many contacts outside Slovenia, sending tapes abroad, releasing foreign bands and international compilations. He got reviews in music magazines like Option, Sound Choice, Maximum Rock ‘n’ Roll or NME. He lived in the Netherlands in 1987-88 when Staaltape released this tape. Presumably a live recording of industrial, looped synth music, with elements of Z’ev druming sound, Laibach ‘marching music’ and synth industrial soundscapes.
The information for this post comes from:

• Rajko Muršič [+]: ‘On the relationship of Global and Local Music Production: Mario Marzidovšek and his Independent Label Marzidovshek minimalaborato­rium’, Ljubljana conference, 1996. [+] Included in the following:
• ‘Rock’n'Roll and Nationalism: A Multinational Perspective’, Mark Yoffe and Andrea Collins, ed., Cambridge Scholars Press, 2005 [+].
• ‘CMARNET, Croatian Metal And Rock’ forum, October 22, 2007 [+]
• A Hogon’s Industrial Guide blog, November 13th, 2007 [+] A big thank you!

Download.

Originally Posted by A Thousand Threads

bought a great sounding 180g reissue of of this some time ago, but i think it's out of print again






Bruce Haack, born on May 4, 1931, was one of the most musically and lyrically inventive children's songwriters of the '60s and '70s. Despite — or perhaps because of — his intended audience, his music was unusually expressive, combining homemade analog synths; classical, country, pop, and rock elements; and surreal, idealistic lyrics. Haack's innovations and desire to teach still sound fresh, making his music a favorite with fans of analog synths and esoteric recordings. Followers like Luke Vibert and Add N to X championed his unique musical vision, which embraced concepts like "powerlove" and turned household appliances into synthesizers and modulators.This musical vision appeared at age four, when Haack started picking out melodies on his family's piano; by age 12, he gave piano lessons and played in country & western bands as a teen. His upbringing in the isolated mining town of Rocky Mountain House in Alberta, Canada, gave Haack plenty of time to develop his musical gifts. Seeking formal training to hone his ability, Haack applied to the University of Alberta's music program. Though that school rejected him because of his poor notation skills, at Edmonton University he wrote and recorded music for campus theater productions, hosted a radio show, and played in a band. He received a degree in psychology from the university; this influence was felt later in songs that dealt with body language and the computer-like ways children absorb information.

http://lost-in-tyme.blogspot.com/200...c-lucifer.html