I did see that he gave Kids See Ghosts a 10 and Ye an 8 though. So he’s growing on me. I’ve agreed with most of the 2018 vids I’ve watched (U.S. Girls, Nicolas Jaar, Death Grips, Car Seat Headrest... all great... Drake, terrible).

What the fuck is Fantano? What the fuck are you people talking about? Who the fuck are you?

You told me about this thing once ... when I asked what the album was that you posted after all you posted was a textless cover... what was it? Some kind of service you recommended I use. Internet-based maybe? I wanna say... Schmoogle?

YAH WELL but who the fuck are you? Who the fuck are YOU?!

Who's that ugly fuck ^ ?



I win.

That’s the “fat version of me” you’ve heard me bitch aboit for not reviewing albums the right way. Yes there’s a right way... no I do not know what it is. No there’s nothing wrong with being hefty. Yes there’s something wrong with being as thin as I am. People think I have tapeworm.

ANYhoo... he’s a YouTube music reviewer who has become something of a celebrity in recent years. I didn’t realize it until last year, but apparently he goes to MTV award shows and stuff. For what it’s worth.

Anyway, he might be closer alt-right... that seems to be sort of up in the air... but he’s given 10 ratings to Kendrick Lamar, Swans, Death Grips, Kids See Ghosts and a few other deserving artists. He’s growing on me, I’ve gotta say.

I meant “closet” alt-right.

I hear a lot of accusations but have yet to see any evidence.

Stop making me want to rep you when you know damn well I have to spread it around first.

Dick.

Listening to this for the first time in forever and it still fucking blows me away

I'm too sexy for this board.

Deaf Wish, Lithium Zion, because of comparisons to Sonic Youth. "Deep Blue Cheated" sounds like Thurston guest vocals.

Red Kross - Born Innocent

Noice.

It's one of the few punk albums I know that has a summery vibe.

Wire’s “Pink Flag” has always felt super summery to me. Especially “Mannequin.” That was my summer cruising music in simpler times.

been listening for days not chopin’s nocturnes in perpetual repeat

the way this guy plays them it really brings out their baroque core—with a really light hand on dynamic changes, unlike the usual “romantic” interpretations. or should i say roots rather than core.

also somehow pointing towards satie

im mostly listening to his left hand ha ha ha ha ha

wish there was a record of only the left hand