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-   -   Best new/most anticipated albums of 2019 (http://www.sonicyouth.com/gossip/showthread.php?t=118389)

Severian 01.08.2019 08:48 PM

Quote:

Originally Posted by The Soup Nazi
HOLY MOLLY PARKER POSEY I THINK I'M NOT GONNA KILL MYSELF THIS YEAR AFTER ALL well not yet anyway CHRIST ON A STICK!

 


Right?!l

 

The Soup Nazi 01.08.2019 09:11 PM

Quote:

Originally Posted by Severian
Right?!l


Right! Now I shall remain vigilant! When Dig Me Out turned 20 they offered a signed LP + T-shirt + poster + the 33⅓ book on the album bundle! And their Bandcamp page crashed! (I did get the bundle, though! :D) Imagine if this time they add a lock of Janet's hair! The whole Internet will implode like a son of a bitch! No more Drumpftweets! Although that would be nice!

The Soup Nazi 01.11.2019 09:12 PM

Quote:

Originally Posted by Severian
New ROYAL TRUX studio album, morherfuckerzzzz

https://www.stereogum.com/2027574/ro...ff/music?amp=1


A little more info/hype :) from Fat Possum:

Quote:

Royal Trux are announcing their first album of new songs since 2000’s Pound for Pound slated for release on March 1st via Fat Possum. The new album White Stuff not only maintains the magic chemistry between Jennifer Herrema (vocal, moog, guitar, melodica) and Neil Hagerty (vocal, guitar) but expands upon it greatly with their natural ability to give us something unexpected, necessary, and truly unique. Their own formidable and informed imaginations... the same two creative minds that brought us (to name a few) Twin Infinitives, Cats and Dogs and Accelerator, are present in the unadulterated, exhilarating energy that has the album listed on Pitchfork and Stereogum‘s most highly anticipated albums of 2019 lists. The newest single they are sharing, “White Stuff,” follows on the heels of the recently released “Every Day Swan” and “Get Used To This” (featuring Kool Keith). Their lengthy recording break has done nothing to diminish their visionary, visceral intensity and enduring influence. We are incredibly excited to be sharing what they’ve cooked up in their collaborative kitchen and know we are most definitely not alone in this enthusiasm.

For the “band”, it has been a natural, fluid return. Says Herrema, “Nothing has changed within the Truxian universe we created for ourselves as teenagers; because Trux is and will always be our way of life whether living it together or separate... This is no hobby rock kick. We are long game lifers with no fear, no regrets and plenty of gratitude for the way the universe has rewarded our singular dynamic.”

Royal Trux find innovation in their ‘Bitches Brew’ aesthetic which now defines the standard mash-up approach so commonly ascertained and claimed by the majority of musicians that whether cognizant or not have followed in Trux’s very large footsteps: “everything in the pot whether you like it or not,” deriving from world music, punk rock, jazz, metal, electronic, southern, teeny-bop and all the rest. In the tradition of the blues, through appropriation and re-evaluation, Royal Trux changed the way we think of music. Their return is nothing short of glorious.

“It’s funny how the outside world perceives or feels compelled to parse complicated relationships and dynamics... Usually it’s an all or nothing game”, muses Herrema. “This next chapter is just another perfectly aligned bit of kismet. No concerted effort to force anything forward or to create something with an eye on the past. Only an awareness that the present had come calling with a gift to assist the future future of Royal Trux. The true believers that were once strangers found their way into our universe because everybody was ready for it and it simply, as if on cosmic cue, came to be.”

The Soup Nazi 01.11.2019 09:42 PM

Out March 22: Ex Hex, It's Real.

 


Quote:

On It’s Real, the group’s second album, Ex Hex’s commitment to larger-than-life riffs and unforgettable hooks remains intact, but the garage-y, post-punk approach that defined their debut album Rips has grown in scale and ambition. What started as a reaction to the blown-out aesthetic of Rips would test the sonic limits of the power trio and lead the band on a quest for a more immersive and three-dimensional sound. Vocal harmonies are layered ten tracks deep, solos shimmer and modulate atop heaving power chords, and the codas linger and stretch toward new frontiers of sound. On first listen, you might think you’ve unearthed a long-lost LP carved from the space where crunch-minded art rock and glitter-covered hard rock converge, an event horizon at the intersection of towering choruses and swaggering guitars.

Ex Hex were already one of America’s best guitar bands—but on It’s Real, their musical savvy has thrillingly combined with anything-goes curiosity, studio experimentation, and a dedication to refinement, resulting in an album that’s ready to be played at maximum volume.

https://www.mergerecords.com/ex-hex

https://exhexband.bandcamp.com/album/its-real

The Soup Nazi 01.11.2019 09:47 PM

Out March 8: William Basinski, On Time Out Of Time.

 


Quote:

On Time Out of Time is a suite of works originally commissioned for the 2017 installations ‘ER=EPR’ and 'Orbihedron' by artists Evelina Domnitch and Dmitry Gelfand (in collaboration with Jean-Marc Chomaz and LIGO) for the exhibition, ‘Limits of Knowing’ at Martin-Gropius-Bau, Berlin by curator, Isabel de Sena.

These works utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes, 1.3 billion years ago.

The CD and Digital formats feature two tracks: The 40-minute title track, “On Time Out of Time,” as well as “4(E+D)4(ER+EPR)”, a live track recorded during the aforementioned installation. The vinyl LP format features two exclusive mixes of the title track: “On Time Out of Time” on the a-side; and “On Time Out of Time (The Lovers)” on the b-side, made especially for the vinyl format.

https://williambasinski.bandcamp.com...me-out-of-time

greenlight 01.14.2019 02:11 AM

Quote:

Originally Posted by Moshe
Ariana Grande – thank u, next


I am confused here. :D

Moshe 01.14.2019 10:03 AM

Quote:

Originally Posted by greenlight
I am confused here. :D

she is great!



https://www.youtube.com/watch?v=ffxKSjUwKdU

greenlight 01.15.2019 02:22 AM

Quote:

Originally Posted by Moshe


hehe, youre not serious Moshe ;)

by the way, have you seen this year§s Primavera Sound lineup?

oh yeah and Slavo has a ticket for LGW 19 already! :)

what about OFF?

you still going to Roadburn yeah?

_slavo_ 01.15.2019 04:13 AM

Quote:

Originally Posted by greenlight

oh yeah and Slavo has a ticket for LGW 19 already! :)



hey man, but you're going to LGW 19 too, right?

Moshe 01.15.2019 04:57 AM

Quote:

Originally Posted by greenlight
hehe, youre not serious Moshe ;)

by the way, have you seen this year§s Primavera Sound lineup?

oh yeah and Slavo has a ticket for LGW 19 already! :)

what about OFF?

you still going to Roadburn yeah?


I a serious! :)

Primavera should reunite Sonic Youth to bring ne back to Barcelona. It became too big and crowded for me.

Got my ticket for Roadburn. I don't think I cam make it to Off too.

greenlight 01.15.2019 06:47 AM

Quote:

Originally Posted by _slavo_
hey man, but you're going to LGW 19 too, right?


sure!

greenlight 01.15.2019 06:50 AM

Quote:

Originally Posted by Moshe
I a serious! :)

Primavera should reunite Sonic Youth to bring ne back to Barcelona.Primavera should reunite Sonic Youth to bring me back to Barcelona. It became too big and crowded for me.


that would be sweet.

but have you see the line up? pretty cool this year...

_tunic_ 01.15.2019 07:45 AM

I might join you guys for Roadburn. Not sure if it will be for the complete fest yet, but I want to see Mono play their ‘Hymn to the Immortal Wind’ album

but it's already sold out ? :(

Efrim is playing Primavera? I do hope he goes on a fullscale Europe tour ...

Moshe 01.15.2019 10:03 AM

I'm afraid Roadburn is sold out

The Soup Nazi 01.18.2019 11:46 PM

Quote:

Originally Posted by _tunic_
6. Bill Callahan. It's time for a new album dude. He's got a brand new twitter account but no new album? What's there to tweet about then?


Circuit des Yeux!

Quote:

Haley's the sheriff that rides in to single-handedly clean up a town overrun by bad guys. Her voice will roll you from the soles of your feet to your scalp...

Actually, that wasn't a tweet (that I know of); that's what Callahan told Uncut about CdY. But Word says it's 129 characters, so... :D

The Soup Nazi 01.23.2019 03:06 PM

Out March 29: FACS, Lifelike.

 



Quote:

Chicago trio FACS was founded in 2017 by former Disappears members Brian Case & Noah Leger, along with their bandmate Jonathan van Herik. After van Herik amicably parted ways with the group just before their debut album Negative Houses's release, Case & Leger recruited longtime friend Alianna Kalaba (Cat Power, We Ragazzi) to play bass & FACS began methodically destroying live venues across the world. Lifelike is their sophomore release; six tracks clocking in at half an hour, carrying forward the musical trail blazed by the debut towards a new frontier.

Lifelike occupies a space in between the band's debut & Case & Leger's work with Disappears, applying minimalism & space in compositions that reside somewhere near the realms of post-punk, art-rock, shoegaze, industrial music & post-rock. Lifelike however adds a more melodic sensibility, without sacrificing any of the debut's punishing sonic muscle, with a discernible audial force perceivable thru the speakers (credit due to engineer Jeremy Lemos' recording via Electrical Audio as well as John Congleton's mastering for accurately capturing the punishing heft of the band's live sound)

Kicking off with the lumbering "Another Country", whose opening drone lulls the listener into a trance before Leger's drums crack the earth below. The band veers close to This Heat territory here, with Kalaba's minimal bass throb & Case's nearly unrecognizable guitar loops & multi-tracked voice punctuating the spaces between. Album standout "In Time" careens with purpose with cascading sheets of guitar noise over the rhythm sections ever-advancing march, while "XUXA"s melodic washes of monochrome eases the tension ever so slightly. Side two awaits, with the anxiety-ridden opener "Anti-Body" & the claustrophobic "Loom State"'s clanging aura of menace. Lifelike closes with "Total History", whose syrupy shuffle belies the blunt-force trauma of its closing minutes, with the sheer weight of sonic force seeming to blow out the speakers it emanates from. A phoenix returning to the ashes from whence it came.

https://wearefacs.bandcamp.com/album/lifelike

The Soup Nazi 01.23.2019 04:24 PM

Quote:

Originally Posted by The Soup Nazi

 


^ "Jenny Lewis, whaddayawant?!" :D


Jenny's On The Line's final and official cover art could be NSFW in some quarters (W meaning work and/or wife). You've been warned.

 

The Soup Nazi 01.23.2019 04:34 PM

Out March 29: Fennesz, Agora.

 


Quote:

Agora is Christian Fennesz's first solo album since Mahler Remixed [Touch, 2014] and Bécs [Editions Mego, 2014]. Fennesz writes: "Its a simple story. I had temporarily lost a proper studio workspace and had to move all my gear back to a small bedroom in my flat where I recorded this album. It was all done on headphones, which was rather a frustrating situation at first but later on it felt like back in the day when I produced my first records in the 1990s. In the end it was inspiring. I used very minimal equipment; I didn't even have the courage to plug in all the gear and instruments which were at my disposal. I just used what was to hand."
For a no-minimum name-your-price you can download now "Umbrella", a "medley of the 4 album tracks", from Bandcamp:

https://fenneszreleases.bandcamp.com/track/umbrella

Pay something, though! :cool:

Severian 01.23.2019 05:07 PM

Quote:

Originally Posted by The Soup Nazi
Jenny's On The Line's final and official cover art could be NSFW in some quarters (W meaning work and/or wife). You've been warned.

 


Wow. Is that her? She’s held up really goddamn well.

The Soup Nazi 01.23.2019 06:41 PM

Quote:

Originally Posted by Severian
Wow. Is that her? She’s held up really goddamn well.


And here I was thinking you were gonna post something about Fennesz...

The Soup Nazi 01.23.2019 07:22 PM

 


Reminding SVE's Remind Me Tomorrow shenanigans:

— Performance and interview for KCRW's Morning Becomes Eclectic
— Profile in The Ringer— Album review in The Atlantic
— "Album of the Day" at Bandcamp
— "Incredible feature" in The New Yorker
— Performances of "Seventeen" and "You Shadow" on Jimmy Kimmel Live...

The Soup Nazi 01.23.2019 07:23 PM

From Bandcamp Daily:
Album of the Day: Steve Gunn, The Unseen In Between

The Soup Nazi 01.23.2019 07:40 PM

From the archival department. Out February 22: Michael Rother, Solo boxset.

 



Quote:

Here's a much-needed blast of good news: Berlin label Groenland is releasing a box set of Neu!/Harmonia/Kraftwerk guitarist Michael Rother's first four solo LPs as well as unreleased material that includes soundtracks for the films Die Raeuber and Houston. Solo encompasses Flammende Herzen (1977), Sterntaler (1978), Katzenmusik (1979), and Fernwarme (1982), plus Soundtracks and Remixes & Live (the latter two LPs are exclusive to the vinyl box set). With Neu! and Harmonia, Rother helped to create a vastly influential strain of krautrock featuring motorik rhythms that were inexhaustibly inspirational.

Speaking about the release, Michael said:

"I'm incredibly excited to announce my new boxset Solo. The opportunity to release my first four solo albums, as well as some new music in one package is amazing. This is a body of work that I'm very proud of."

https://www.groenland.com/en/product...r-solo-boxset/

https://www.strandedrecords.com/coll...ther-solo-6xlp

The Soup Nazi 01.23.2019 07:55 PM

Out now: Juliana Hatfield, Weird.

 


Liner notes by Laura Fisher

Interview with AllMusic: How the Awesome Power of Solitude Fueled Juliana Hatfield's New Album, Weird

Can't tell ya how much Saoirse Ronan and I relate to this stuff. :)

https://julianahatfield.bandcamp.com/album/weird

Severian 01.23.2019 09:18 PM

Quote:

Originally Posted by The Soup Nazi
And here I was thinking you were gonna post something about Fennesz...


Lol.

Fair enough.

But in my defense... that album cover.
Plus I’ve always had an Annie Potts thing, so you primed the pump.

But fuck yeah Fennesz!

Moshe 01.24.2019 01:47 AM

Quote:

Originally Posted by The Soup Nazi



it is really good!

greenlight 01.24.2019 06:45 AM

where do you listen all the new stuff these days? bandcapm? spotify? do not tell me that you are buying all the releases.

Severian 01.24.2019 07:28 AM

Quote:

Originally Posted by greenlight
where do you listen all the new stuff these days? bandcapm? spotify? do not tell me that you are buying all the releases.


I test new stuff out on Apple Music if it’s big enough to be on major services, and check Bandcanp for the a lot of the other stuff. I do still buy music, but not much.

Severian 01.24.2019 07:23 PM

Kid Koala has a new album coming out?
What?

Yes.

Crazy.

 


One of those artists I sometimes forget exists.

Severian 01.24.2019 07:24 PM

Speaking of artists overdue for a new album with “Kid” in their name, I’d love to hear something new from fucking KID KANEVIL for fuck’s sake!

greenlight 01.25.2019 01:30 AM

Quote:

Originally Posted by Severian
I test new stuff out on Apple Music if it’s big enough to be on major services, and check Bandcanp for the a lot of the other stuff. I do still buy music, but not much.


so bandcamp and spotify would be probably best one for all the "independent" and "underground" stuff? I need to get a some good mobile data package to be able to listen to it while commuting, which is probably best time for me listen to music these days. I miss all the blogs with links to filesharing sites.

_slavo_ 01.25.2019 04:03 AM

Quote:

Originally Posted by greenlight
so bandcamp and spotify would be probably best one for all the "independent" and "underground" stuff? I need to get a some good mobile data package to be able to listen to it while commuting, which is probably best time for me listen to music these days. I miss all the blogs with links to filesharing sites.


Trust me, the combination of Spotify+Bandcamp is gold. I use Spotify for nearly everything (I have the premium account, though) and what I can't find there, I find on Bandcamp.
On Spotify there's tons of underground stuff too, if you're not looking into the really obscure.

It's a shame but I don't buy records anymore.

Severian 01.25.2019 08:20 AM

Quote:

Originally Posted by greenlight
so bandcamp and spotify would be probably best one for all the "independent" and "underground" stuff? I need to get a some good mobile data package to be able to listen to it while commuting, which is probably best time for me listen to music these days. I miss all the blogs with links to filesharing sites.


Apple Music and Spotify have almost the same exact library of artists and music at this point. I think the only thing Spotify has that Apple Music doesn’t have are a number of mixtapes from the late-‘00s era of mixtape rap.

Other than that, and I’m not certain Spotify has that anymore since I haven’t used the service in a while, it’s the same deal. Apple Music is better for people with Apple products and pays the artists a wee bit more, Spotify is irritating and has literally put Drake’s face on the cover of every single one of its playlists before. (Seriously, that happened, and not long ago.)

So I’m Apple Music + Bandcamp because I have Apple products and hate Spotify, but there’s virtually no difference between what thetwo offer.

Severian 01.25.2019 08:31 AM

Quote:

Originally Posted by _slavo_
Trust me, the combination of Spotify+Bandcamp is gold. I use Spotify for nearly everything (I have the premium account, though) and what I can't find there, I find on Bandcamp.
On Spotify there's tons of underground stuff too, if you're not looking into the really obscure.

It's a shame but I don't buy records anymore.


Ok, so Spotify and Apple Music are like Coke and Pepsi — essentially the same exact thing unless you’re a purist for red cabs or whatever. (Also kind of not like Coke/Pepsi because many of the things they make available to you are not even one chemical additive different from each other because they’re the exact same things.)

I had Spotify premium, and I loved it for a while. When Apple Music came out, I kept Spotify because I was just so into the concept of not having to haul my fucking CDs around or alter the library of my iPod anymore. But once Apple Music caught up, and once I saw that it paid more to artists — if only by a little bit — I jumped ship. Also, at the time, hip-hop and pop artists I liked (Frank Ocean, Chance the Rapper) were doing things on Apple Music and not on Spotify. But I think the era of exclusives is over.

Also, a lot of the time when an artists decides to remove something from streaming for whatever reason, they’ll remove it from Spotify and it will stay on Apple. Not sure why, but Spotify still has the larger user base, so that’s probably it.

Anyway, I have noticeed no decrease in the amount of available material from artists I like in the underground, experiments and noise genres and sub genres since making the switch, so I think it really comes down to 1. what kind of products you use (again, if you use Apple/Mac, Apple Music is just integrated with the entire media setup native to those phones and computers); and 2. Your personal preference regarding UX and design (I tend to refer Apple’s clean whites and reds to Spotofy’s neon green on black, but to each his/her/their own).

I’d say the real important piece is making sure you supplement with Bandcamp. It’s great, and unlike the other services, you can fucking BUY ACTUAL CD/LP/CASSETTE RELEASES through BC, and also find tons of artists too weird and too new to even register on the streaming giants.

YMMV.

_tunic_ 01.25.2019 11:50 AM

Nils Frahm has a new EP out, it's called Encores 2. It's a follow-up to Encores 1 which was released late last year. what a surprise is that.
Both are filled with leftovers from the sessions done for his last full length All Melody


Listened to most of the new Mono today at work, and it's actually better than I had anticipated.


oh, medium wise, I use bandcamp mostly and youtube or soundcloud, anything that's free for streaming. No spotify and no apples I'm allergic to fruits

Severian 01.25.2019 09:06 PM

I’m super excited about the new Vampire Weekend album and if anyone wants to give me shit about that, I welcome you to fuck off and save us both a lot of typing.

It’s called “Father of the Bride.” The first two songs — “Harmony Hall” and “2021” — sound like a mashup of “Touch of Grey”-era Grateful Dead and “Freedom”-era George Michael and rich white kids learning from the songwriting methods of Frank Ocean, respectively.

I’m OK with pop music if pop music sounds good, and this stuff, like “Modern Vampires of the City,” sounds good ... to anyone who isn’t trying to prove something, that is.

The Soup Nazi 01.26.2019 03:11 PM

Quote:

Originally Posted by Severian
Wow. Is that her? She’s held up really goddamn well.


Hey, what's with this comment, by the way? Jenny's a young woman, 43. Julianne Moore is 58, Mariska Hargitay is 55, and they're both hotter than a urinary infection.

The Soup Nazi 01.26.2019 06:29 PM

Out March 22: Housewives, Twilight Splendour.

 


Heavy-handed description de rigueur :rolleyes::

Quote:

London five-piece Housewives return for more anarchic genre-blending adventures on their second LP, Twilight Splendour; a synthesized collage written in Wetherspoons, cafes and anywhere away from their houseboats where they could find a permanent electrical supply.

Exploring the possibilities of electronic sound, this new LP marks a turning point for the band - who sold their guitars to buy midi equipment and swapped London rents for water habitation. Bringing to mind the digital meditations of legendary producer Oneohtrix Point Never, Twilight Splendour presents a love letter from an early AI to its owner, its concept-led songs strewn with "ecstatic messages of frustration and a desire to connect".

The album occupies a dystopian world where real emotions have been eclipsed by complex coded simulations. From the dead-behind-the-eyes chanting on "Speak to Me" to the heavily processed vocals on the sax-loaded "SmttnKttns" – which dazzles with vocoder and pop shine – the band's signature dark, psychedelic chaos and nihilism has been cast into an unnerving new technological light.

On opener, "Beneath the Glass", Housewives set the scene for the alternate world occupied throughout Twilight Splendour: "Slip with me, under the glass and into the light / I only choose content that I know you'll like"—beckoning the listener to retreat away from the mundanity of everyday life and into the warm comforting glow of digital anaesthesia.

With "Dormi", Housewives create skin-crawling tension and atmosphere from pulsing rhythms, dub-infused bass, clock chimes and a haunting MIDI choir, while "Texu"'s off-beat drumming forms the backdrop of the track's mythology—an ancient alien making a mixtape of mediocre jazz for a lover.

Diverted creative energy is explored with the chaotic tension of "Sublimate pt. I" which flows into the cathartic bliss of "Sublimate pt. II" using maniacal vocal samples in a challenging take on a life not lived "never dream for more than boredom, now defines us". Closing the record out on a new age note, "Hexadecimal Wave / Binary Rock" swells with deep organ-led euphoria; a moment of respite on an album buzzing with industry.

Since forming five years ago, Housewives have drawn from such diverse scenes as post-punk, jazz, drone, electronic and avant-garde. 2013 saw the release of an eponymous debut EP via Brighton label Faux Discx, while their first-full length record, Work—recorded at a barn in a desolate corner in the south of France—arrived two years later.

2017 live album FF06116 marked the band's first collaboration with experimental saxophonist Ben Vince. Following on from these early statements, Housewives are now set to unleash their game-changing new album—turning away from performance-based writing, the human, and facing the cold light of computers head on.

Don't blame me; I didn't write it. The album itself should be good though!

https://blankeditions.bandcamp.com/a...ight-splendour

https://housewivesband.bandcamp.com/...ight-splendour

The Soup Nazi 01.26.2019 07:15 PM

Out now: Tim Presley's White Fence, I Have To Feed Larry's Hawk.

 


Quote:

Gliding past ghostly statues of mythic entities and through the mist into the present world, Tim Presley's White Fence shed their multicolored-shroud for a heartfelt yet enigmatic, cycle of songs about losing the thing that's killing you that you love in order to gain the thing that makes you love what you love, with loads of Heartbreakers and other new pop classix.

"Heartbreakers" as in "Petty"? That wouldn't make much sense... Anyway, it's interesting that this time it's credited to "Tim Presley's White Fence" and that apparently it has more in common with my girlfriend Cate Le Bon than with the Ty Segall shit. If so, I'm in!

https://timpresley.bandcamp.com/albu...ed-larrys-hawk

https://www.dragcity.com/products/i-...ed-larrys-hawk

The Soup Nazi 01.26.2019 07:36 PM

So who the fuck are Yak? Dunno, but they have a new tune with Jason Pierece (and John Coxon), so it might be worth checking out. From Under The Radar:

Premiere: Yak Share NSFW Video For New Song "This House Has No Living Room" (Feat. J. Spaceman)
Pursuit of Momentary Happiness Due Out February 8 via Third Man


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