Angels in Pigtails
Released: 1990 Label: Pathological Format/CAT#: (12")--Path LP3 (CD)--Path CD3 . . . [Click on image for larger version] [Click here for alternate artwork] Track Listing: 1. Chrome 2. Unhealing Wound 3. Pony Girl [part 1] 4. Blow Hound 5. Turkish Glass 6. Pony Girl [part 2] 7. Hello Skinny 8. Inbred 73 9. Track 9; [i] N.F. Kennedy, [II] Elephant Man, [III] Head of Angel 10. Stinky Beads 11. Pony Boy here: http://www.megaupload.com/?d=57OEG406 |
I hate this album.
At first glance you'd be forgiven for thinking that it was going to be along the lines of 'Three Minute Symphony' or maybe 'The Elephant Table' with such luminaries as 23 Skidoo, 400 Blows and Nocturnal Emissions in attendance. Sadly no. It's just a pile of electro bollocks. All the tracks, with the exception of 'October' could have been written and played by the same band by the sound of them. The only people who come out of this with any credibility intact are Chris & Cosey. Funky Alternatives Vol 1 http://rapidshare.com/files/53221087...ol._1.rar.html I can't even be arsed to post any cover artwork - that's how tedious it is. |
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Fish & Sheep - Double Banana
good local guys, some of you might have heard about them. they toured with mv & ee with the bummer road and on a sy related note, they were on bull tongue top 80 of 2006... anyway, it's just something i wanted to share. the album had a small edition of 100 copies. |
On dime, for Jeff Buckley fans:
"Sketches For My Sweetheart The Drunk" Outtakes 4-Track Demo's from Memphis, TN spring 1997 01 Let's Bomb The Moonlight [6:21] 02 Moodswing Whiskey [4:02] 03 Witches' Rave [3:42] 04 Peace Offering [4:29] 05 You & I [4:10] 06 Your Flesh Is So Nice [3:32] Jeff Buckley - 03-xx-1997 - Memphis 4 track Demo's |
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Hadn't heard of them before. Enjoyed much. Thanks! |
glad you liked it. feel free to ask for more.
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If you've got it I'd love to hear more.
The guitar playing kind of reminds me of Rudolph Grey's approach to the instrument a bit. Which got me to thinking maybe I should upload a Rudolph Grey album. So... from my blog: Rudolph Grey - Mask of Light Rudolph Grey, Ed Wood biographer/guitar noise genius, released this Thurston Moore produced album on New Alliance Records in 1991 ("Executive production" credited to Ecstatic Peace!). Definitely something fans of Borbetomagus should drool over - and not just because Jim Sauter plays on 2 of 3 tracks. 1) Mask of Light (recorded at the Musique Action '90 festival, Vandoeuvre, France, May 26, 1990). Rudolph Grey - Guitar, Jim Sauter - Saxophones, Rashied Ali - Drums 2)Implosion - 73 (second version). Rudolph Grey - Guitar, Rashied Ali - Drums 3) Flaming Angels (Variation) - Rudolph Grey - Guitar, Rashied Ali - Drums, Jim Sauter - Saxophones, Alan Licht - Guitar get it here p.s. For whatever reason you can buy this OOP CD from Amazon.com market place for 1 penny. Yep, just $0.01. I opted for the pricey $0.60 shrink wrapped copy. You can also buy the Blue Humans' Clear To Higher Times for the same price (Blue Humans were an improv group revolving around Rudolph Grey, often in collaboration with Alan Licht, Tom Surgal and Arthur Doyle). |
anybody interested in ssd's the kids will have their say? it's out of print and i have a vinyl rip, i would also offer the get it away 12" but that's not such a good quality rip.
anybody for boston hardcore? |
[quote=hat and beard]If you've got it I'd love to hear more.
quote] there's not much more, but i'll try. |
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Ripping it now. In the meantime, here's a cassette rip of a comp. called Rythm and Noise that came free with Underground Magazine in October 1987. Tracks from Cabaret Voltaire, SY, Depeche Mode, Throwing Muses, Lowlife, The Normal, Clock DVA and The Shamen. The qualitiy's not great, but hey, it's free! http://rapidshare.com/files/54088307...sette.rar.html |
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OK. Here it is. You Bet We've Got Something Against You (Cathexis Records 1985) Princess Tinymeat, Current 93, The Anti Group, Band of Holy Joy, Mark Stewart and The Maffia etc. http://rapidshare.com/files/54098882...t_You.rar.html There a couple of glitches during the Jackhammer 5 track, but it's vinyl, it's old, and it's always sounded like that. The Dave Howard Singers rule! |
tHANK YOU ALL.
Hiroshi Watanabe's Star Dust Orchestra Mood in Japan 10" (Nivico, 1964) It is probably no surprise that when I am out looking for records I am buying them blind. Often I have no idea what the hell I am picking up, other than what the record cover betrays to me. In the case of Mood in Japan, I knew two things: It was Japanese and it was a 10" record. It was also cheap enough to take a chance. I brought it home and was treated to some very cool sounds, what I thought was Japanese noir. Good enough for me and the songs exceptional enough to post here. Then I started doing some research. Hiroshi Watanabe's name was pretty much a no go. Seems that he was just one of many orchestra leaders in Japan during the 1950s & 60s, not remarkable enough for anyone to post something about him in English. There was one more name associated with this record, the arranger Tak Shindo. So I do a search for Tak Shindo and I find a great article called "Representing the Authentic: Tak Shindo's "Exotic Sound" and Japanese American History". Now I don't know about you, but when I come across an article like that about a record I am curious about my heart starts to flutter. I am not going to run through the details of Tak Shindo's career but I will point out a few things: Shindo's music is not Japanese noir, in that it is jazz influenced big band music with noir overtones made by Japanese composers. For that to be so, Shindo would have had to have been Japanese. He wasn't he was Japanese American, born in the United States in the 1920s (in my hometown of Sacramento!) and raised in Los Angeles and Manzanar Relocation Camp. After a brief stint in the US Army, he started working as a film composer, scoring music for Tokyo Joe, Sayonara, and Escapade in Japan, as well as TV shows like Gunsmoke. He backed Rod McKuen on the classic album The Yellow Unicorn and made a series of exotica records. He taught at UCLA and made a documentary on his experience in Manzanar (Encounter with the Past), as well as composed music for the Okinawa Peace Memorial. And he worked in Vegas composing for Siegfried & Roy. But all that would be just a nice story if not for his music, a very cool noir jazz sound with Japanese rhythmic parts. Recorded in 1964 and released only in Japan, Mood in Japan is ten songs of greatness. There is a nice dark tone to the songs that does not sacrifice the swing. Enjoy. Tokyo Ondo Tokyo Koshinkyuko Ohyakudo Koisan Trade Wind http://crudcrud.blogspot.com/ |
Sponge - Relation Between A Production Of Images And The Flesh In A State Of Consciousness
this is one of those incredibly little-known japanoise collaborations. the particulars listed as being "Sponge" are: Yoshifumi Okuyama Yutaka Hayami Hisashi Tanaka Katsuji Yamauchi but all four of those are the names of prominent japanese businessmen/doctors. i have it on good faith that the members actually are: Jojo Hiroshige (Hijokaidan) Junko Hiroshige (Hijokaidan) Masami Akita (Merzbow) Yamazaki Takushi (Masonna) how could it not be good? anyway, this is the only release they ever did as far as i know. it's super limited by itself, but there is an even rarer version spattered with blood and with a scalpel blade inlaid in the cover. 01: Consideration 1 02: Consideration 2 mutilated schoolgirls |
All Dolled Up:
Here's another rare and unique record originally released in 1970. It features acclaimed Japanese actress Kumiko Akiyoshi on vocals and the legendary Yonin Bayashi as her backup band. The music they create together has a nice mellow feeling, with an emphasis on childlike melodies and a few influences of traditional Japanese folk songs. Much of this record is quite beautiful. Towards the second side of the record, it gets a little stranger with a few tracks dedicated to Akiyoshi's telephone conversations with people. In a few calls, she is friendly and is making conversation concerning a date or appointment with friend/lover. In other conversations, she is heard dealing with a stalker of some sort. Strange stuff...but it makes the album as a whole all the more an intriguing listen. Fans of Morita Douji, Yonin Bayashi, Ike Reiko (and other selection from the fascinating Pinky Violence re-issue series) should find much to enjoy here. And isn't that a great cover? Find it HERE http://whatfuckedyou.blogspot.com/ |
Philip Jeck~Tokyo Live:
By request, here's some more Philip Jeck. This is a live recording that took place on February 20th, 2000 at the ICC in Tokyo, Japan and was issued in a super limited edition on Cd-r from Touch Records. Jeck seems to be playing many of the same records that he used in the Vinyl Coda IV album that i posted last month and it's kind of fun to try and pick out his sources here. Philip Jeck works with the precious sounds of crackling of vinyl and sampling bits and pieces of music that he layers into some impressive sound sculptures. The result is quite lovely and sometimes eerie. Probably best if played loudly in a dark room while watching Twin Peaks on the television. Discover |
The Jackofficers
The Jackofficers was a side project started by Gibby Haynes and Jeff Pinkus of the Butthole Surfers. They released their only album, Digital Dump, in 1990 and disbanded the same year following a brief club tour that found them simply hitting play on a walkman and standing there while it played. The music consisted entirely of samples manipulated and mixed on early computer software and f/x. Samples range from Jimi Hendrix spoken words to The Texax Chainsaw Massacre. 1. Love-O-Maniac 2. Time Machines Pt.1 3. Time Machines Pt.2 4. L.A. Mama Peanut Butter 5. Do It 6. Swingers Club 7. Ventricular Refibulation 8. #6 9. Don't Touch That 10. An Hawaiian Christmas Song 11. Flush http://www.sendspace.com/file/v28r7n (I'm really starting to wonder if I posted this before, but the search function sucks here, so if I have, deal with it) |
VARIOUS ARTISTS - HITS $ CORRUPTION
"1985 - 86. Yet more dross and drivel from the corporate claw...the song remains inane, or, more appropriately, the formula remains profitable. They're laughing themselves stupid in those boardrooms...this must be a capital wetdream; all profit and no risk. Why stick your multinational neck into the murky world of product development when obscure little labels will charge around quite happily developing those noisy little bands with their strange cultural references and, as often as not, peculiar political allegiances. And then...every now and then, up pops a new sound which we, the flacid consumer, is only too happy to spend our spare pennies on. Hey Presto! A discreet moulding of image here, pop star glad rags there and watch those gold discs roll in. Handshakes all around; except in the basement off course. Anyway, we at HITS $ CORRUPTION, in an attempt to enter into the spirit of the thing, have had our A. & R. people touring the country in search of that prospective SMASH...the next big thing. From the twisting path of the M-62 as it wends its way twixt lofty Pennine peaks, down to the switchback snarl of Birmingham bound M-5 terror and even further south to that concrete calamity the M-25 orbital. Why, we've done all we can. Now jolly consumer, it's up to you. Tell us who we should pour our investment capital into...which band's name will our accountants misspell? Only you can tell us! Why, here the consumer is king (in a gilded cage naturally)." Nice compilation of indie artists. Most of them from the UK except The Ex and Eton Crop (Netherlands), and Sonic Youth and Ut (USA). Cover art by Jon Langford. Hits $ Corruption LP (HAC 1-1986) 1. Blurt - Poppycock 2. The Ex - Choise 3. A.C. Temple - Cold Recipe 4. Tools You Can Trust - Can Of Worms 5. Carlton B. Morgan And The Supernormals - Einstein For A Walk 6. Muslimgauze - Unwelcome Visitors 7. The Noseflutes - Holidaytime 8. Sonic Youth - World Looks Red 9. Pigbros - What Counts 10. Eton Crop - Red Handled Cutlery 11. Bogshed - Packed Lunch To School 12. Ut - Ampheta Speak 13. Fishwives - Thunderbird Knuckle http://phoenixhairpins.blogspot.com/...orruption.html |
Zanx.
RLW, faust, bequeen, merzbow, nurse with wound, satori, konstruktivists, lee ranaldo: four years in 30 seconds. four years in 30 seconds:
a collection of music from around the world
in 1997 the british label dirter promotions delighted and enlighted the world (or at least 1200 inhabitants) with a 10-inch-vinyl-album featuring an interesting cross section of 25 rather familiar avantgarde artists with some exclusively commissioned works, all clocking in at about (you guess:) 30 seconds. regathered on this compilation were the likes of ralf wehowsky (aka RLW aka eaRLyW, more of his music can be found in the KLÄNG part of this blog), merzbow (a 1982 track reappeared on a very private tape compilation and might be found here within the next few years), nurse with wound (more paratopic information in an earlier post) and 22 other as follows. in 1998 the album was released on cd with all 25 tracks played backwards as bonus tracks. this cd release was a limited edition of 1000 copies and is what you are going to listen to right here and now. 02. band of pain acid
03. rlw kitnabudja kid 04. stefan jaworzyn i am the king of goth! look upon my works, ye assholes, and despair! 05. satori tongue cracked dry 06. beequeen edie's second sun 07. idea fire company none but the first rate workmen will meet with encouragement 08. dual drimon drmn 09. merzbow hummingbird 10. pessary abort 11. paul gommersall mmmm...strange 12. contrastate poodles in practice dress at the battersea dogs opera 13. lee ranaldo first computer piece 14. splintered perihelion 15. incapacitants mutual fund explosion 16. pestrepeller maximum yak satisfaction 17. inversion 1:1 safety 18. business machines latex 19. the pickle factory update 20. east of the sun torcross 21. the shadow ring the way of the world (part 2) 22. headbutt terrible noise bringer 23. illusion of safety center 24. konstruktivist black mass 25. nurse with wound transcribe and dictate (heavy trad) plus 25 bonus tracks all 50 tracks are converted to mp3 with 224 kbps and zipped as a 46 mb win.rar-file including scans of cover, art work (done by babs santini, by the way) and the tracklist, of course. please enjoy.
and the bonus track can be found in my wunschmaschinenklang podcast: faust backwards and back to forward again in one seamless and still very short track plus a summary in german. http://spurensicherung.blogspot.com/ |
albrecht/d. and throbbing gristle 1976
no: there is not too much information on albrecht/d. to be found on the net. when you google for him: you will mostly find albrecht dürer: and of course there is a connection: as an instant performance and as a contribution to the albrecht dürer jubilee in 1971 dietrich albrecht changed his real name officially to albrecht/d. a/d. was born in 1944, lives in stuttgart/germany since 1958 and acts like an artist since 1966. the picture is taken from a performance in 1988: he worked and performed with beuys, throbbing gristle, vostell, paik, saree and many others. he invented permanent instant performance. he saved raoul hausmann from being forgotten. his work includes: mail art: endless music: processed copies: exhibitions: installations: concerts: stamps: art into society: instant life / love / death: kinky beaux arts: abstract energy: violence permanent: in 1979 he was part of the stuttgart punk & art posse: the young common time punks hated him for being an artist: but he inspired a lot of thee art core noise explorers. there is more, much more to say: but for now: let´s make some noise: albrecht/d. and throbbing gristle: cosey fanni tutti, genesis p-orridge & chris carter in 1974/1975 were c.o.u.m. transmutating into throbbing gristle. before sleazy joined in 1976 albrecht/d. lived and performed with them in their death factory in london. at least three hours of their music survived on cassette tapes and are still available through reflection press (yes: his name and number are part of the stuttgart telephone book. send two irc for the mail order catalogue). one cassette includes throbbing gristle performances recorded on the 12th and 18th of june 1976, probably without albrecht/d. playing, though he recorded, produced and edited the tape. the second tape originates from the 23rd of july 1976 and includes albrecht/d. on drums. you are about to hear the third and final session, a one hour performance that took place on the 30th of july 1976 and included albrecht/d. on drums again and throbbing gristle as throbbing gristle. this cassette was released as "music from the death factory ## throbbing gristle with albrecht/d. ## recorded live on 30th july 1976". the cover is a onesided fotocopy. my late 90s version has the new address of kinky beaux arts (eisenbahnstr. 58, 70372 stuttgart) replacing the original reflection press address (friedenaustr. 21, 7000 stuttgart 1). the cassette label is handwritten by albrecht/d.: "TG et A/d." one side; the other says "30.7.76". throbbing gristle & albrecht/d. 30. july 1976 a-side (mp3, 192 kbps, 44,5 mb) alternate download with in.solit.us throbbing gristle & albrecht/d. 30. july 1976 b-side (mp3, 192 kbps, 43,5 mb) |
Inner Space - pre Can - First Singles For Movie Soundtrack
Here are the both first Can Singles I´m Hiding My Nightingale Agilok & Blubbo Kama Sutra Kamera Song Single-Ripp @192 - Front Cover Inner_Space__pre_can__first_singles.rar Also Video on: http://www.youtube.com/watch?v=KR4tra9Nyq8 http://kraut-team.blogspot.com/ |
Very rare Andrew - woops 1973 (ex icecross)
Limited to 500 copies 1.-Rockin an Rollin 2.-Himalaya 3.-I Love You (Yes I Do) 4.-Look 5.-Drawing 6.-Sweetest Girl 7.-Heathens 8.-Ballad of Herby Yenkins 9.-Purple Personality 10.-Age Download: Andrew - woops 1973 |
Public Nuisance was, until the early 2000s, unknown to all but the most fervent 1960s garage rock fanatics, mostly for the very good reason that they never released a record. The Sacramento outfit did play quite a bit live in California in the last half of the 1960s, and did a lot of unreleased recordings in 1968 and 1969 that never saw the light of day. This condition was remedied in 2002, when an astounding full, double-CD of tracks was issued, Gotta Survive, mostly taken from those unissued late-'60s sessions. These revealed them to be a respectable, though hardly phenomenal, group that integrated raw garage rock snarl with more experimental psychedelic guitar textures and song structures, with the occasional pop/rock influence as well. In these respects, they were akin to numerous California groups of the time, perhaps retaining their punkier elements more strongly and for longer than most. They got into not only some ambitious sounds, but also some ambitious lyrics that reflected the era's rebellion and questioning of established values, as well as expressing more conventional romantic sentiments.
Public Nuisance's roots were in the mid-'60s garage band the Jaguars, who changed their name to Moss & the Rocks. Under that moniker, they recorded a folk-rock-flavored garage single, "There She Goes"/"Please Come Back," for the small local Ikon label. Later that year, they re-recorded both tunes for a single on Chattahoochee. Both 45s are very rare and by 1967, they had changed their name to Public Nuisance and gone in more psychedelic directions without forsaking their garage energy. Public Nuisance opened for acts such as the Doors, Buffalo Springfield, Sonny & Cher, and the Grateful Dead and did some unreleased recordings at Fantasy in San Francisco. However, they didn't have a record deal until some demos in late 1968 helped get them a contract with Equinox, run by noted Hollywood producer Terry Melcher (who had worked with the Byrds and Paul Revere & the Raiders). At the end of 1968 and the beginning of 1969, they recorded an album's worth of songs, but nothing was ever released, on Equinox or elsewhere.
Public Nuisance disbanded around 1970, with guitarist David Houston producing and playing keyboards with the new wave band the Twinkeyz in the 1970s and going on to produce Steel Breeze and Club Nouveau. The unreleased 1968-1969 sessions sound almost anachronistically unpolished by the standards of the day's psychedelic acts, and perhaps none of these would have been released if the band had been granted a chance to officially issue an album. However, in 2002, they were retrieved and issued by Frantic Records on a well-packaged archival release that will be of interest to intense fans of the late-'60s garage/psychedelic sound and is more diverse and eclectic than many other reissues of such bands.
Source : AMG
Part 1 DownloadLink :
Part 2 DownloadLink:
http://rapidshare.com/Public_Nuisance.part2.rar
http://lost-in-tyme.blogspot.com/200...a-survive.html |
Link Plastic People Of The Universe - Egon Bondy's Happy Hearts Club Banned (1974-75) http://ezhevika.blogspot.com/ |
SAINT VITUS – SAINT VITUS – 1984 (US) hard rock/proto doom metal
Although they never achieved wide acclaim, Californian doom metallers Saint Vitus still managed to carve out a niche in people's scrapbooks for one big reason: they sounded uncannily like Black Sabbath, a propensity aided by an increasingly farcical series of ever-changing lineups that left the latter band essentially faceless. Not surprisingly, SST Records signed them as Black Flag's label began distancing itself from its hardcore punk roots. This album, then, should send old-schoolers' hearts' aflutter. The trademarks that defined classic '70s-era Sabbath albums like War Pigs and Iron Man are proudly present and correct: jangly, piledriving guitars; stuttering basslines; and insistent, cymbal-soaked drumming. True to form, the album boasts just five tracks; the brisk opening tribute to the medieval-era saint is probably the most energetic among the lot. The band's themes are somewhat predictable, ranging from occult matters ("Black Magic, White Magic," "Zombie Hunger") to personal peril ("Burial at Sea"). However, the band convincingly shows that intensity doesn't necessarily stem from tempo on "Psychopath" and "Burial at Sea"; guitarist Dave Chandler lays down some menacing licks, while hollow-voiced singer Scott Reagers evokes just the right touch of despair and desperation. While Saint Vitus never broke beyond a cult circle of admirers -- except overseas -- the band shouldn't be dismissed out of hand. (Only Trouble had a similar impact, except from the Christian metal side -- to where wags jokingly tagged them as "White Sabbath.") Genre exercises like this are naturally an acquired taste, but the band plays with fire and conviction; if Black Sabbath's singer-of-the-week lineups left you cold, these guys provided just the right placebo. Scott Reagers (vocals) Dave Chandler (guitar) Mark Adams (bass) Armando Costa (drums) 1 Saint Vitus 4:49 2 White Magic / Black Magic 5:27 3 Zombie Hunger 7:21 4 The Psychopath 9:26 5 Burial At Sea 8:38 So drenched in bass, wah-wah and fuzz, you'll think your ears are defective. Plus the singer sounds like he just escaped from a mental ward for jittering paranoids. Add to that two tracks that have some of the slowest tempos ever, and you have doom's most uncompromising debut. Worth the price for "Saint Vitus" and "Burial At Sea" alone. The latter is so slow it creaks... HIGHLY RECOMMENDED!!! Rip from CD 256@ (full artwork included) Download link http://link-protector.com/291824/ http://orexisofdeath.blogspot.com/ |
Blue Monday 1988 [US DJ Promo] (1988)
"Blue Monday 1988 [US DJ Promo]", New Order (1988) Brace yourselves: This is my first non-ripped-vinyl rarity. You know what that means: Less hissin' and poppin'! Now, I think the title says it all. This is the 1988 remix of New Order's 1983 classic, "Blue Monday." And guess what? This item is the three-track CD sent out to DJs in the United States. How very obvious. What's the difference between this and the "Blue Monday" of five years prior? Not much, aside from extra diddle-daddling noisearoos and pointless samples of some guy saying goofy things like "Oh boy this is too much!". And it's shorter. Well, at least the standard single mix is. But thankfully, this promo also comes with the 12" mix of the '88 version. It's not as austere as the '83 original, but it's acceptable. According to New Order Online, the various non-promotional editions of the Blue Monday 1988 single tended to have some b-sides not found on this particular DJ Promo. Of note are "Touched by the Hand of God" (single and dub mixes) and a track called "Beach Buggy" (a play on the fact that the 83 Blue Monday had a dub called "The Beach"). This promo, and a few editions of the single, instead have a track called "Blue Monday 1988 [Dub Version]". It's essentially more of the same, but with added reverb, less lyrics, and more samples. So why am I uploading this? Simply because you probably won't be able to find the dub version or the 12" mix of Blue Monday 1988 anywhere else. I shall be quick to add that you can find the single mix in the flawed 1995 retrospective The Best of New Order, and in the recent 2-CD Singles collection. So if you like it, buy it. If you don't like it and find that its compromised by the all the unnecessary blippin' and broopin', then get the original "Blue Monday". You can find that on the CD edition of Power, Corruption & Lies and on 1987's superb Substance compilation. I shall speak no more. Here's the music. 1. Blue Monday 1988 [Single Mix] Download (25.84 MB) 2. Blue Monday 1988 [12" Mix] 3. Blue Monday 1988 [Dub Version] http://rippedvinyl.blogspot.com/ |
sonovabitch.
I've been looking for that Blue Monday mix forever. it's one of the few New Order 12"s that I don't have on vinyl and I was PISSED to find out that the Power, Corruption and Lies disc I recently bought didn't even have the "regular" version on it. I had to buy it from iTunes. oh, sweet joy. |
I just spent the better part of an hour (slow day at work) reading this thread - very entertaining posts, thanks everyone who contributed! Weird (given its size) that I've only just discovered this one, perhaps I need new glasses.:)
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ohh thanks for this! some asshole nicked this one from me a few years ago...(it was this, sunn o)))'s black one, the fall's hex enduction hour and celtic frost's to mega therion). regardless, thanks. |
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i shall aquire this as soon as rapidshare allows me to get free downloads again |
Nick Cave - More Pricks Than Kicks (Bootleg)
Posted By: roykeanz | Date: 24 Jun 2007 15:26 | Comments: 4 Nick Cave - More Pricks Than Kicks Genre: Rock: Alternative | 1995 | MP3 - VBRkbps joint-stereo | 99 MB | 1 CD Rapidshare "More Pricks Than Kicks" is a bootleg of cover versions as a complement to Kicking against the Pricks, all previously released but hard to obtain, except for the extended Tower Of Song. This boot features Cave singing the songs of other quality artists - including five from his days with Boys Next Door at the much sought after Swinburne College gig from 1977. The rest are rare Bad Seeds outtakes, or magazine give-aways etc. The quality here is excellent. TRACKLIST Helpless........ The Bridge Rye Whiskey ........ Reflex flexi I Put A Spell On You ........ NME cassette Tower of Song ........ unedited 30 min. version! 500 Miles ........ 3/3/89 KCRW Snap radio Sunny ........ 3/3/89 KCRW Snap radio Blitzkrieg Bop ........ 19/8/77 Swinburn College Gloria ........ 19/8/77 Swinburn College I Put a Spell On You ........ 19/8/77 Swinburn College Commando ........ 19/8/77 Swinburn College These Boots Are Made For Walking ........ 19/8/77 Swinburn College http://rapidshare.com/files/37716666/Nick_Cave_-_More_Pricks_than_Kicks.rar |
Various - Why Do You Think They Call it Pop? (1994)
With it's lovingly whacked out cover art, this Pop Narcotic double 10" comp hit turntables in 1994. The Boston based Pop Narcotic label went as quickly as it came, but not before dispensing records from Versus, The Dambuilders, Small Factory, and most notably the Why Do You Think They Call it Pop? compilation that this post concerns. It's my assumption that the record's title is a play on the once ubiquitous catch-phrase "why do you think they call it dope?" but I digress. All of the aforementioned, and ten more lucky hopefuls, are immortalized on yummy strawberry and banana 10"s of wax, which strangely turned out to be a very representative snapshot of indie music at the time. The results are about as mixed as they come but the creme de la creme disproportionately populate the first slab, filled with ringing roughewn pop gems from Small Factory, Sleepyhead, and the sensory-overloading guitar sprawl of Monsterland, whom I will dedicate to future posts. The Dambuilders do their best Polvo imitation on "Pennsylvania," apparently oblivious to the fact that Polvo themselves are on the flipside of the disk! Side three offers a female-fronted trifecta: Helium, Ruby Falls, and Twig. The last side rounds things out with some lesser knowns, and an early Grifters song. Many selections here would crop up on original albums or retrospective singles & rarities compilations specific to each band, but this is a wonderful and unique souvenir of the era. If anyone wants future postings for any of these bands, just say the word and I'll see what I can do. 01. Sleepyhead - Hot Stuff 02. Dambuilders, The - Pennsylvania 03. Small Factory - Yeah! 04. Versus - Sunburned (Life's a Beach) 05. Polvo - Colonial Arms 06. Monsterland - Sunburn 07. Wingtip Sloat - Leap Into My Velvet Arms 08. Helium - In a Little Box 09. Ruby Falls - Let Me Go 10. Twig - Airplane 11. Greenhorn - 50 Ways to Leave Your Lover 12. Kudgel - Friction~Ali Baba 13. Grifters - Black Fuel Incinerator http://rapidshare.com/files/53012292/WDYTTCP.rar.html http://wilfullyobscure.blogspot.com/ |
TRASH ON DEMAND A commenter asked for some '90s garage, and I promised to offer one of my favorite such compilations of all time. Heck, for any genre, it's one of my favorite comps ever. Really. In 1997, garage/glam legend Jeff Dahl, by way of his own budget, released 1000 copies of Trash On Demand Vol. 2. The garage element blankets all here, but by this time, punk had already dripped in and infiltrated deep. There was the '60s garage base, the '70s punk smirk, the '80s trash layer and whatever happened in the '90s, all compacted into an inevitable sound. This disc corrals 24 of the late '90s best garage/punk/pop/fuzz results, although hardly any bands stand out in terms of fame. Wanda Chrome, the Cynics and the Jacobites, if any, are names to recognize, but damned if there ain't so many other outstanding presentations here: Wanda Chrome has Mick Jagger's hand on their hip, the Jezebelles let it bleed, the Fancy Lads might as well be the Stones, Logik follows the Odd Numbers, Ubangi Stomp are just damn fun and Nervous Christians summize the sound at a smooth drag race speed. I'll admit, I normally start this disc from track four, being Wanda Chrome and the Leather Pharoahs' "Private Monkeys," (which come to think of it is not far from Charlie Pickett or Teenage Head-era 'Groovies), but do what you will. Just a suggestion. Before I wrap up, I'll add that Jeff Dahl ain't no slouch either. He's created some great music through the years. Check him here. But if I can say so without offending, his skill to assemble a great comp surpasses. Here's a link to the download. TITLE: Trash On Demand, Vol. 2 LABEL: Ultra Under YEAR: 1997 TRACKS: Assassination Bureau - '51 Crazy Zone' / The Leaving Trains - 'Big Baby' / The Rosehips - 'Jacobs Progress' Wanda Chrome and the Leather Pharoahs - 'Private Monkeys' / Snap-Her - 'Strychnine' / The Neurotones - 'Burned Out' / The Jezebelles - 'Abducted' / The Lucky Thirteens - '(Let's Do The) Standing Still' / Big Bobby and the Nightcaps - 'Wanna See Her Cry' / Hotdamn - 'Remember Fun' / The Fancy Lads - 'Have You Ever' / The Adz - 'Fall' / The Trash Brats - 'Start Over Again' / Ubangi Stomp - 'Go On' / The Sinisters - 'Capt'n Weirdo' / Echodrive - 'Another Boring Day' / Boyz Nex' Door - 'Hey' / The Jacobites - 'Pennicillin' / Nervous Christians - 'Talk About Chasing a Dream' / Witcherry Wild - 'Come Down Slow' / Jimmy Keith and the Shocky Horrors - 'Little Bit of Whore' / Logik - 'M.C. W/B' / The Cynics 'Baby What's Wrong' (Live) / Uncredited bonus track http://usedbinforever.blogspot.com/ |
Jico, you've changed your username again?
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you have to quote him now (or it looks like yr talking to yrself). clever schtick if I do say so myself. PS: thanks again for the ups. I have some downloading to do tonite. PSPS: wherethefucksthetindersticks?? (that's german for c'mon). |
I've tried to upload it but it messed up with my internet connection. I'll try sending again, promised.
Beat Happening / Screaming Trees 12" (1988) ^ Click above for link to download Beat Happening / Screaming Trees - Beat Happening / Screaming Trees, a collaboration between Lee Conner, Heather Lewis, Mark Pickerel, Bret Lunsford, Van Conner, Mark Lanegan and Calvin Johnson, a co-release between K and Homestead Records, April 1988. Released on 12" vinyl and CD. A1. Sea Babies A2. Tales Of Brave Aphrodite B1. Polly Pereguin B2. I Dig You |
Vaselines / Beat Happening - Live in London Cassette (1991)
^Click above for link Heres a rare one for ya! A rare split cassette release of the Vaselines and Beat Happening Live in London, England 1988. tracklisting: Vaselines - Live in London 16/6/88 01. Dying for It 02. The Day I Was a Horse 03. Sex Sux 04. Let's Get Ugly 05. Molly's Lips 06. Teenage Superstars Beat Happening - Live in London 16/6/88 07. I Love You 08. Knick Knack 09. See Babies 10. Cast a Shadow 11. Bad Seeds http://vombiezomitblog.blogspot.com/ |
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Awesome! Thanks!!! |
yeah, get off his case; it's not his fault the same blog uploaded a rare album along with official in print shit.
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